Dan Friedman
Voice Over Coach & Demo Producer
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Realistic Solutions to Save the Troubled Voiceover Industry

June 26, 2018 by Dan Friedman

By Dan Friedman and Cat Wityk

Dan Friedman, voice talent, voiceover industryOn Wednesday June 13th, a town hall meeting between the Voiceover Agents Alliance (VOAA), the World-Voices Organization (WOVO) and the Global Voice Acting Academy (GVAA), took place to discuss the state of the voiceover industry. It brought together hundreds of people in our community. While these conversations are important and necessary, the only thing that was truly evident from the discussion is that we as an industry are in trouble. What follows is a brief history of how we got here, followed by a little perspective and some ideas that, at the very least, should help to continue the discussion and at best could be the start of some solutions.

The actor’s union strike of 2000 occurred at a time when the internet simultaneously opened the door to online entrepreneurs everywhere. While an agreement was reached and the strike ended, independent production houses and eventually P2P sites seized on the opportunity to fill the void originally left open by the strike. Eighteen years have gone by and the entire landscape has changed. People no longer record to tape or even go to a studio. Talent are easily and directly accessible. Costs have been reduced but voice talent (and others) have to learn new skills and take more control of their careers.

Many people hiring voice talent these days (and even many voice talent themselves) were too young to remember the union strike, much less be in the workforce yet. Furthermore, computers and digital technology have made it possible for an individual to take on many roles in business and execute them with some level of proficiency, without the need to hire an accountant, photographer, graphic designer, web designer, voice talent or any number of other roles. Because of this, they often have no point of reference to know what a fair rate is or how to negotiate when hiring a professional to take on these roles.

The Role of Digital Technology in the Advertising Industry

In fact, digital technology plays a greater role in this than many may realize. The advertising industry itself appears to be in somewhat of the same boat, as they are losing money, jobs and clients.

In an article from The Atlantic, the data shows that jobs in the ad industry are declining due to “technology’s invasion of the ad sector and the phenomenon of more corporations trying to emulate outside media companies in-house.” The age of affordable digital technology has allowed the average local business owner to pick up a camera and produce their own commercial, or apparently, even go so far as to develop an in-house media department. Additionally, it has enabled tech companies like Facebook and Google to dominate advertising in place of ad agencies.

This article from Forbes Magazine argues that “As advertising became more fragmented and complicated with the digital revolution, a saturated market of agencies began pitching against each other for the same amount of finite work, driving down fees.” Therefore, ad agencies are experiencing a similar plummeting of rates due to greater competition. Naturally, when all of us in voiceover are doing the same, the results are compounded.

Talent, Agents, Coaches … Taking Action

This is a community of amazing people and it will take the each and every member of it to help save this industry now and for the future. I applaud the efforts of everyone who participated in the town hall and all of those who attended. While it is important to lay many of the issues on the table and have an open discussion, we can’t only discuss the issues and not also try to find realistic solutions. We are all turning down jobs that don’t pay fairly, but refusing work isn’t enough. Because, as we all know, someone is going to do those jobs. In some cases they may be desperate to put food on the table, or maybe they simply don’t know any better.

Now, what are we going to do? Here are just a few ideas to consider.

As discussed in the town hall meeting, we should all be educated on what a fair rate is for voiceover work. This includes agents, talent, coaches, producers and talent buyers. The GVAA rate guide and of course the rates set by SAG/AFTRA should be considered the standard. Clients can’t go elsewhere if we’re all agreeing on the same rates.

Talent who choose to work for P2P sites, Fiverr or any organization that actively promotes and encourages buyouts, unlimited usage, and low per spot or per word rates should be eliminated from consideration for agency representation. This is no different than any other non-compete agreement.

Agencies must be more proactive in marketing their talent, including a stronger focus on SEO where they are currently being clobbered by P2P, cheap or discounted VO sites and individual talent. For instance, when searching “voiceover” on Google, only one agency is displayed after 4 pages of primarily P2Ps, companies offering cheap voiceovers and individual talent.

Coaches, education outlets and demo producers must commit to refusing to make professional demos for those who are not ready to work in this business. It’s our responsibility to prevent the flooding of the market of talent who accept lower rates due to a lack of skill.

Talent should include their agents in negotiation as often as possible. This would demonstrate that talent are committed and value their agent’s work. It also serves to keep agents in the game, which is crucial because they are traditionally better negotiators and advocates for talent than they are for themselves. They have more experience and skill when it comes to sticking up for standard rates. They do this for a living after all.

Agencies must demonstrate their value to talent buyers by not only streamlining the entire process from casting to payment (which they already do well), but also by accentuating their roles in casting and other value added propositions. Simultaneously they need to demonstrate their value to the talent they represent by doing their best to spread work out to all talent on their rosters and not just a select few.

Coaches and education outlets must educate new students on the business of voiceover, not just the craft. They should emphasize the importance of not working for free or for low rates, finding rate cards, and understanding and negotiating rates including usage, markets, cycles, lifts, cut downs, etc.

Agencies could consider being more regionally territorial in their marketing to potential talent buyers. Focusing on local businesses and industry also helps the local economy.

Everyone should share the responsibility of educating clients on the value and importance of professional voiceover. As we already know, voiceover is more than just talking. It is a representation of a brand, image and an identity that is just as important to a company or organization as a well designed logo. As industry professionals, we must all work to reposition cheap, unprofessional and/or untrained talent as synonymous with a cheap and unprofessional brand. We then can position our own brands as the opposite of those talent. But in doing so, professional talent must never fail to deliver on the promise to be better communicators and to always provide the very best in customer service.

Filed Under: Sound4VO News, Sound4VO Posts Tagged With: advertising industry, digital technology, Forbes, GVAA, talent agents, The Atlantic, town hall, town hall meeting, union strike, VOAA, voiceover coaches, voiceover industry, voiceover talent, WOVO

Voiceover In The Gig Economy

March 22, 2017 by Dan Friedman

A colleague of mine recently posted this on social media. “Heard a commercial I did voiceover for on the radio this morning. I haven’t heard it in a couple years, and assumed it just wasn’t running anymore. Cool!”

Cool … but also, NOT COOL!!

Now before getting into the details of why this is not cool, I want to point out that my friend and colleague is not a working voice actor and the commercial she references is one of the only voiceover jobs she has done. I can not blame her for taking the job initially or for not knowing the ins and outs of the business. But, if you are reading this article, there is a pretty good chance that you are interested in voice acting as a career. Therefore, there are some things you should know so that you don’t unknowingly hurt yourself or the industry as a whole.

We live in what is being called a “gig economy.” Voice actors exemplify this economy perfectly. We get hired to do a job, we do the job and then it is on to the next job. Finding the next job is challenging and even if you have an agent, you still have to put in a great deal of time and effort marketing and reaching out to potential new clients on your own. In fact, you will likely spend more time networking, marketing, and searching for new business than you ever will behind the microphone. In an effort to have a sustainable career while doing all this other stuff and not working behind the microphone, voice actors depend on being paid for the usage of their voices, even years after a job has been recorded.

For Radio and TV commercials, VO talent ideally get paid in two ways. A session fee for the time spent during the session (this may be used to offset a studio fee) and for usage based on cycles in which the spot airs (typically 13 weeks.) Every deal is different, but it is best to stay away from any “for broadcast” arrangement that can be used “in perpetuity” or a “buyout.” To have a long and sustainable career, you depend on residuals to help maintain a steady income over the long term.

Remember, when you are chosen to be a voice for a company, you represent that company. You are a reflection of their brand. That has meaning for them and for you. As such, you should be fairly compensated for as long as your voice represents that brand, even years down the road. Something else of which to be aware is that when you represent a brand, it may very well eliminate future possibilities to represent other similar brands. This is a “conflict.” When you do not specify limits on usage, you create a potential lifelong conflict. Thus, eliminating the possibility of working for competing companies.

When you are starting out in the voiceover industry, landing those first jobs can be very exciting. However, it is important to consider the long term ramifications of the work you do. It is cool to hear yourself on TV or radio. But it is not cool to allow your voice to be used, and potentially heard thousands of times by thousands of people over any number of years, and not be fairly compensated.

General rules to live by:

  1. Don’t work for low rates. Know what you are worth. Don’t know what that is? Check out the GVAA Rate Guide as a good starting point. http://www.globalvoiceacademy.com/resources/voice-over-industry-standard-rate-guide/
  2. Don’t do jobs that can be used “in perpetuity” or as a “buyout.” Negotiate usage limits.
  3. If you don’t feel comfortable negotiating with a client, have an agent negotiate the terms for you. Don’t have an agent? This may be a great way to get an agent if you don’t already have one.

This article was featured in The VoiceOver Network’s “The Buzz” magazine. Spring 2017. Issue 9. To get your copy visit: http://www.thevoiceovernetwork.co.uk

Filed Under: Sound4VO News, Sound4VO Posts, Voiceover Tips & Advice

Voiceover – Radio Imaging: Alternative 101.5 Missoula, MT

February 2, 2017 by Dan Friedman

Missoula, MT – February 2, 2017 – New Alternative Rock Station KAMM 101.5 launches today with Sound4VO’s Dan Friedman as the imaging voice. http://alternativemissoula.com/

“I listened to dozens of voices and as soon as I heard your demo the “that’s the one” light went on.” – Angel, Brand Manager KAMM101.5

Radio Imaging is a fun and exciting part of the voiceover world and I am thrilled to be the voice of this new alternative music station. Check out my Alternative Radio Imaging Demo below.

Telephony
5464
https://sound4vo.com/wp-content/uploads/2023/05/Roxanne_Telephonydemo.mp3

Filed Under: Sound4VO News, Sound4VO Posts

Voiceover-Introducing the Sound4VO App!

May 20, 2015 by Dan Friedman

logo 4vo

With summer just around the corner, people are gearing up for vacations and some fun in the sun. For the voiceover community that means … well, that we are gearing up for vacations and some fun in the sun. In other words, it will still be business as usual. We may just be auditioning and working from some unusual places.

When voice actors travel (wherever we go) we setup our gear, create a quiet and acceptable sounding environment and do our best to provide the best audio quality possible in sometimes less than ideal conditions. Availability, accessibility and mobility are essential to operating and sustaining our businesses. If you would like to learn more about what gear I use while on the road, check out: What I Took With Me On My Summer Vacation

Hand holding mobile smart phone-Sound4VOAppIn the spirit of mobility, I would like to introduce the Sound4VO mobile app! Sure, you can use it to hear my demos, book me for a voiceover or coaching session and even buy a copy of Sound Advice – Voiceover From an Audio Engineer’s Perspective. But the app also allows you to record audio and send it via email and it includes a stopwatch that you can use to time your scripts. It was important to me that my app provide you with these useful tools. I hope you find them helpful.Sound4VO-Stopwatch

Don’t hesitate to contact me using the Sound4VO mobile app. Please share the app with your industry friends, clients or anyone else who may find it helpful. I look forward to communicating with you more often using this amazing technology.

Sound4VO-App-QR

Get the Sound4VO app! Just scan the QR code for your device.

Filed Under: Sound4VO News, Sound4VO Posts Tagged With: 4VO, Dan Friedman, Sound Advice Voiceover From an Audio Engineer's Perspective, sound4vo, VO, voice over, voiceover, voiceover book

Voiceover – My Winning TEAM! VOAtlanta 2015

March 16, 2015 by Dan Friedman

logo 4vo
In best movie trailer voice:

SIX RANDOMLY SELECTED TEAMS … SIX TOP PRODUCER/MENTORS … ONE TASK, PRODUCE A 60 SECOND COMMERCIAL … WITH NO SCRIPT … IN LESS THAN 24 HOURS!

Okay… let’s bring it down a notch. 🙂

VOAtlanta was, once again, an incredible event filled with great opportunities for learning, networking and entertainment (Did you see James Arnold Taylor’s one man show? AMAZING!!)

The greatest thrill for me was leading a team in the first ever VOAtlanta Team Challenge. Our task was to produce a 60 second commercial spot promoting next year’s event. The rules: Must contain the word “Elevate”. Must contain a minimum of three voice actors who each have at least ten seconds of copy. Must (if needed) use music and sound effects found on the audioblocks.com website. The teams were selected at random. No script was provided and all of the mentors were limited to the equipment we brought with us or to what was available at the conference.

Once the teams were assigned, the first challenge was locating everyone on the team. With so much going on, it took awhile to simply get everybody in the same space to begin collaborating. Next, develop a concept and write a script. My team was amazing. Everyone contributed ideas that were instrumental in turning a simple concept into something tangible. Our ideas flowed and our script came together very quickly. We all felt really good about where we were headed.

The voice booth sat in the extremely noisy expo room. While crowd noise was definitely a problem, using that booth during that time period was our only viable option. Once each team member recorded his or her script, it was time to put the pieces together. With nothing more than a laptop, a pair of headphones and (thankfully) my favorite DAW, the work of editing began. The voice actors made this part easy. There were not many takes to choose from, but plenty of great takes from which to choose. AN ENGINEER’S DREAM!!

Next, search for sound effects and music and mix the spot. As a group, we discussed music choices and why one cut of music may be more suitable then another. We also discussed the basics of audio processing. While I had my favorite DAW, I did not have my favorite suite of Universal Audio processors and plugins. But, this competition was all about learning and working outside of our usual routines. Not just for my team, but for me as well.

Throughout the entire process, my primary concerns as team leader were that the process was educational and fun. I believed those goals had been met. I was proud of everyone on the team and happy with the spot we produced … and then something else happened. By Sunday morning, the votes were in … we knew WE HAD WON!!

Everyone on the team received prizes from Sennheiser, Kaotica and FREE REGISTRATION to VOAtlanta 2016. I knew our efforts would be recognized, but this was more than any of us could have imagined.

CONGRATULATIONS to VOAtlanta 2015 TEAM DAN:

VOAtlanta2015 -TeamDan

Lynn Marshall
Keri Horn
Geston Pierre
Camille Hunter
Nicole Alford
Tyra Kennedy

I am honored to have had the opportunity to work with you.

Thank you to Gerald Griffith and the other mentors: Roy Yokelson, Joe Loesch, Abbe Holmes, Everett Oliver and Cliff Zellman. You are all great friends and it was my privilege to share this experience with you.

For a limited time, you can hear all of the spots here.

Filed Under: Sound4VO News, Sound4VO Posts Tagged With: 4VO, Abbe Holmes, Camille Hunter, Cliff Zellman, Dan Friedman, Everett Oliver, Gerald Griffith, Geston Pierre, Joe Loesch, Keri Horn, Lynn Marshall, Nicole Alford, Roy Yokelson, Sennheiser, sound4vo, Tyra Kennedy, VO coaching, VO directing, VOAtlanta, voice over, voiceover, voiceover book, Voiceover Coaching

Voiceover- SOUND4VO in Nashville!

September 26, 2014 by Dan Friedman

BookDetailOctober 4th – Home Audio Studio Guru, Dan Friedman and Booth Camp’s own, Joe Loesch will conduct a one day voice over workshop in Nashville at Creative License, Inc. 5532 Maplesong Drive. They’ll tackle topics every voice actor needs to hear. Plan to join two of the nations most sought after coaches on this special day!
Contact [email protected] – Book it now!

Sound4VO's Dan Friedman-097Dan Friedman will offer tips on breaking down copy and how to deliver the unwritten messages within the script. He’ll give advice on recording auditions so you can be sure you are sending exactly what your agent or client prefers to hear, both sonically and in your performance. Dan will have several microphones on hand to help you discover what to listen for and how to sound your best. Signed copies of Sound Advice – Voiceover From an Audio Engineer’s Perspective will be available. https://sound4vo.com/.

 

20ec7f46-f58c-4e25-81ee-bffe8fdefb6cJoe Loesch will share the latest innovations from IK Multimedia and unique ways to set up your portable studio on-the-go. You’ll learn how to incorporate the use of a teleprompter app for your online projects and auditions. Joe and Dan will put you through the paces of an audio audition. Record, playback and critique.
Some lucky students will go home with some pretty grand prizes!
http://JoeLoesch.com

Contact Alan Dysert at [email protected] to book SOUND ADVICE today!

Filed Under: Sound4VO News, Sound4VO Posts, Voiceover Tips & Advice Tagged With: 4VO, Actors Studio USA, Dan Friedman, Joe Loesch, sound advice, sound4vo, VO, voice over, voiceover, voiceover book

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