Dan Friedman
Voice Over Coach & Demo Producer
828.551.0891
[email protected]
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Dan Friedman

Get some ‘Sound Advice’

February 12, 2011 by Dan Friedman

Today’s guest blogger is George Washington III

Dan Friedman, audio engineer and voice talent, is a name that should be known to all of us in the industry. After publication of his book Sound Advice: Voiceover from an Audio Engineer’s Perspective, this point is only reinforced.

There are any number of books out there for the budding voice artist, and all of them have something to give, from business advice to practice technique. Sound Advice comes at us from the perspective of the often overlooked but especially vital audio engineer. Because of the facts and logistics of our business, we work with engineers all the time, and by necessity must be low level engineers ourselves. Dan’s book passes on the basic and intermediate information anyone wanting to get a better understanding of the audio recording process needs.

Dan also makes sure we know some of the etiquette of the business around mics, levels, and working with other voice talent in session.  Since he’s been behind the board for years, he clearly has seen it all. And I’ve been lucky enough to have session with Dan, and can attest to his skill and knowledge in action.

Even better, Dan will be at Faffcon 2 to share some of his expertise with those of us who weren’t born with a 24 channel mixer in our cribs. Plus, Sound Advice: Voiceover from an Audio Engineer’s Perspective, is among the many great door prizes being given away at FaffCon 2. So if you haven’t purchased it, you might end up with it in your hands anyway! Even if you don’t win, I highly recommend you pick up a copy (which you can do right here) and get the story from the other side of the glass.

George Washington III is a voiceover artist, IT professional, and singer based out of Charlotte, NC. He has been providing radio, TV, narration, messaging on hold and e-learning voice services since 2003, and has performed with Opera Carolina since 1998. Website: http://www.voevolution.com

Click here for more on Faffcon!

Filed Under: Sound4VO News Tagged With: 4VO, Amy Snively, Dan Friedman, Faffcon, sound advice, Sound Advice Voiceover From an Audio Engineer's Perspective, sound4vo, VO, voiceover, voiceover talent

Are You Ready to Make Your First Voiceover Demo?

January 24, 2011 by Dan Friedman

Am I ready to make your first voiceover demo? This may be the biggest question any aspiring voice talent will ask. With all of the attention the voiceover industry has received lately, it is no surprise that many people are asking this question right now.  If you are new to the industry, there are several questions you should ask yourself (and ask others) before making your first demo. By answering honestly, you will have a much greater understanding of where you are in your career and whether or not you are truly ready to make your first voiceover demo.

More Than Just a “Nice Voice”

Simply having a nice voice is not enough to achieve success in this business. There are several basic things you should be able to do before taking your desire to work as a voice talent to the next level. If you are unable to effectively communicate the message of a script or have trouble following and implementing given directions, then you are not ready to make a demo. If your reads almost always require editing and compiling of multiple takes of the same copy to get the correct inflections, energy or delivery into one cohesive piece of audio, then you are not ready to make a demo. Ideally, you should be able to read a well-written script from top to bottom, and communicate the messages of that script, without stumbling or requiring extensive editing. Prior to digital recording and editing… this was the standard.

What is a demo?

You probably know, or think you know, what a demo is. It is a representation of how your voice sounds and your ability to perform, right? Yes, but it is more than just that. Your demo is your business card, your resume’ and the number one way to be considered for a job or representation. Your demo should be interesting, perhaps even exciting and make someone want to hear more of you. It should not overstate or misrepresent who you are or your ability. It should accurately reflect your sound, style(s) and ability to deliver copy.

Where to Start

What do you need to get started on your demo? You will need some material, or scripts, to create your demo. This material should come largely from actual work that you have done. If you don’t have any, then you should use material from coaching sessions, voiceover workshops that you have taken and scripts from practice sessions. You are getting coaching or have taken workshops and have had almost daily practice sessions… haven’t you? If the answer is “no” then you are not ready to make a demo. The most important thing to know before making your first demo is that, before even considering it, you should have been doing voiceover on your own for quite some time. In other words, you should have been practicing. How long do you need to practice? Only your ears and the ears of others can tell you when you are ready.

Get Help

Do you know an engineer, producer, director or voiceover coach (or someone with voiceover experience who can perform these rolls) who will be completely honest with you about your deliveries? Does this person know how a voiceover demo should sound and how to produce a demo specific to your skills or what style you wish to present? Making a demo is not something you should do on your own. Even the most experienced voiceover talents know that a second set of experienced ears is critical to making a great demo. You will need someone to help direct you, make choices on what should be included and what should be left out. More importantly, you can only learn about the industry, from someone who works in the industry. Read books. Network. Get coaching. Attend workshops, classes and seminars. Make connections and don’t be afraid to ask questions.

Environment and Equipment

Ideally you should record your demo in a professional recording environment where you can focus on your deliveries and let someone else focus on the equipment.  However, not all recording studios work with voiceover talent and simply having the equipment to record audio or even recording experience, does not mean that the studio engineer knows what is needed for voiceover. Furthermore, they may not have the music and sound effects libraries required to fully produce a professional sounding demo. Find a studio that does. Invest the time and money to have your demo done right.

Getting the Job Done

Speaking of equipment, do you have the necessary voiceover studio equipment to actually do a job? More importantly, do you know how to use it? These days being a voiceover talent usually requires more than a great voice and the ability to use it. At a minimum, you have to know how to record and edit. You also need to invest in the proper equipment to do so. This requires a good quality microphone, preamp, interface, computer, recording software, headphones, cables and ideally a sound-proof/acoustically treated room. This equipment needs to have the capability to reproduce your voice accurately without any electronic noise, distortion or coloration.

What Do You Do Best?

What is your specialty? What do you do best? The answer to these questions will determine what kind of demo you should make. There are many different types of voiceover work and your first demo should communicate what you do best. Commercials, phone systems, audio books, promos, imaging, characters and narrations (just to name a few) are all very different styles and formats. While there can be some overlap among them on your demo, you should be certain the emphasis is on what you do best or on the type of work you seek.

Final Steps

How should your demo sound when complete? It should be fully produced. It should have music and/or sound effects where necessary. It should have several vignettes that reflect your style and versatility. It should be interesting and hold the listener’s attention as it flows effortlessly from one spot to the next. It shouldn’t be more than a minute and a half long  (although a minute to just over a minute is preferable). Most importantly, it should have your name and contact information on the physical medium itself. If you are sending it electronically be sure that the file contains your full name and the email contains several clear ways to contact you.

Making a demo is a critical step to taking your career to a professional level. I often receive submissions that are intended to be demos, but simply aren’t. Snippets of home recordings, answering machine messages and recorded ramblings of voices that you “like to do”, do not qualify as a demo and are a clear indication that you need training, experience and professional help.  Perhaps in more ways than one for some people… if you could hear these you would know what I mean! I also frequently receive great sounding demos from “talent” who fall short of expectations when put to a live-session test read. Unfortunately, these people almost never get a second chance.

Your demo is vital to your success. Do not try to “go it alone”. Have it made with the help of industry professionals. Do not send out material that really isn’t a “demo”. Most importantly, be sure you are truly ready to take this important step by having a great sounding demo and being able to deliver on what your demo promises.

To listen to my latest demos visit:

DanFriedman-Voiceovers

Filed Under: Voiceover Demos Tagged With: demos, sound, voice, voice demo, voice over, voiceover

A True Story and Advice On Voiceover Demos

January 10, 2011 by Dan Friedman

Last week I received a call from a young lady who wanted to make a voiceover demo. I asked her if she had ever done voice over’s before. She replied, “no”. I told her that I could make a demo for her that would make her sound great, however I would not do so without (at least) knowing what her current abilities were. I offered her a training and evaluation session where I would have her read some scripts, determine her abilities and offer direction and advice to help her get started in the business. If it turned out that she was ready, then we could talk about making a demo.

She was not interested.

I explained that it would be a “bad idea” to immediately make a demo since she had no experience. To do so would simply set her up for failure. The demo would misrepresent her, making it appear as though she were an accomplished voice talent, and if and when she got a job from this demo she would likely struggle and possibly fail miserably in a real recording session. “That situation could end your career before it even got started,” I told her.

The young lady explained that with her “experience” (she was fresh out of college from what I could ascertain) and “background” (as a singer) she would be fine.  “This won’t happen to me”, she said. She also told me that since she has ProTools at home she would just make her own demo. I wished this young lady “good luck”.

I told this story to my wife and she said, “If the girl wants a demo, you should just make her a demo.” I know where my wife was coming from, if someone wants something and is willing and able to pay for it why not give it to them? I told my wife that by doing so, I would be misrepresenting this girl and setting her up for failure, I would also be compromising my own integrity as well as the integrity of an industry already suffering from an influx of amateurs, who have no experience, but have been told they “have a nice voice”.

I take the voiceover business seriously and I believe I have a responsibility to set the talent bar high. If you want to work as a voice over talent… go for it! But WORK at it. Invest some time and at least some money by taking a workshop, reading some books about the industry, listening and practicing. By the time you are ready to make your first demo, you should have been doing voiceover on your own for quite some time. In other words, you should have been practicing. How long do you need to practice? Only your ears and the ears of others can tell you. You should be able to convey the messages of a script (both written and unwritten) effectively, with NO EDITING REQUIRED

Making a demo is a critical part of your career. It is your business card and your resume’. When you submit a demo, you are applying for a job. In most industries, if you lie on your resume’ and the lie is discovered, you would be fired. Similarly, if your demo misrepresents you and your abilities, you are putting yourself at risk of being fired from a job. Furthermore, you are putting your reputation at risk, which could prevent you from getting future jobs (even if you’ve decided to put in the necessary practice time). Misrepresenting your abilities can be a serious burden on your desire and even your ability to have a career in voiceover. Unfortunately I receive great sounding demos frequently from “talent” who fall short of expectations when put to a live-session test read. These people almost never get a second chance.

The bottom line: If you want to break into the voiceover industry, be patient and practice. Record yourself and listen. Have others listen as well. Train your ears and your voice. Spend time with working voice over industry professionals. Do not set yourself up for failure and frustration. Do not make a demo until you are ready.

One additional message for engineers, producers and directors: help yourself, help the industry and help the talent (both new and experienced). Do not make demos for people who are not ready. This may save you and many others, time, frustration and money down the road. Furthermore, and more importantly, it raises the talent bar for the industry as a whole, helping to ensure that only truly talented professionals are working beside you.

Filed Under: Voiceover Demos Tagged With: 4VO, demos, sound, VO, VO coaching, voice, voice demo, voiceover

Great note today! Thank you Ed!

December 6, 2010 by Dan Friedman

Dan –

Just a quick “thank-you” for your Voiceover Extra mic technique article!

I just bought my dream mic, a Neumann U87, and was in the process of
setting up and fine-tuning it to my studio.

Years in radio broadcasting have left me with some mic technique
habits not always suited to voice-overs, but your suggestions
encouraged me to experiment.

As thrilled as I already was with my new Neumann, thanks to you, I’ve
now achieved “Mic Nirvana”.

Happy Holidays, and all the best in the New Year!
Ed Brand
Fresh Air Productions
[email protected]

Filed Under: Sound4VO News, Studio & Gear

Voice Over Xtra!

December 5, 2010 by Dan Friedman

VoiceOver Xtra is featuring one of my blog articles!

http://www.voiceoverxtra.com/article.htm?id=0v2ny8z9

Filed Under: Sound4VO News

Kind words from DB Cooper: Thanks!

December 1, 2010 by Dan Friedman

Dear Dan,

I enjoyed this book a lot! One of the things I liked is that you can read it chapter by chapter and enjoy it, or just drop it open and find nuggets of techie goodness.

It’s one I will recommend to all my students and anyone who is interested in building a home studio.

I’ll make sure Pat Fraley sees it, too.

I thought it was an easy read— and I mean that in the very best way. The things you cover can seem mind-blowingly technical and really quite daunting to people with home studios, even if they have an elementary grasp on what they’re doing.

You are helping people take control of their gear, and that is really quite empowering.

Here’s to better sound!!

xoxoxo
Deirdre
+–+–+
DB Cooper

Filed Under: Sound4VO News

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